For the work Will They Sing Like Raindrops or Leave Me Thirsty, Max Pinckers (born in Belgium in 1988, but raised in Asia), travelled to India for four months, accompanied by his partner Victoria Gonzalez-Figueras. There he has attempted to document, capture, stage and bring to life various specific aspects of love and marriage. Searching through newspapers and magazines, watching films and roaming through cities, he has been looking for subjects that suited his theme, such as couples on their honeymoon at the foot of the Himalayas, men on white horses, Victoria’s (carts on which newlyweds strut around), photo studios where couples have their portraits taken, strange decors for marriage ceremonies, a stranded photograph of a married couple (which is offered to a river, lake or sea after their death), a set of discarded photos from a studio next to the Taj Mahal and many other things. He also made pictures of ‘lovebirds’ (young lovers on the run from their disapproving families due to caste or religious differences) and the Love Commandos (an organization that protects and supports these young runaway couples and helps them get married and start anew).